Pages

Showing posts with label Tribute. Show all posts
Showing posts with label Tribute. Show all posts

Friday, March 2, 2012

Tribute : Corsets are Eternal

copyright unknown
While researching for a fashion article, about to be published in the magazine I'm working for, I've been led to the city of Bar-le-Duc, in the east of France, on the tracks of that famous piece of underwear, the corset. While discussing with a couple of Haute Couture's designers, Alida é Pierre, I've realized that I knew little on corsets, their history and their place in today's world, so I've decided to make this quick and humble article in order to share with you my finds.

Corset through time : an history of hourglass figure

copyright unknown
 Indeed, corsets weren't existing in Antiquity as the underwear we now know. They were belts and bandages used by women and sometimes men to narrow their waist. In the above statue of the Minoan Snake Goddess (approximately 2000 B.C.), you can see what was called a mitré. In Ancient Egypt, the ephod was a belt-corselet with shoulder pads, while Roman women used fasciae, pieces of fabric of different use (for example, one was used as a chastity belt). In the Middle Age, around 1300 in France, we could find something called the sorquanie, the equivalent of a coat of mail. But we have to reach the 15th century to discover the underwear we're now familiar with. It was popularized by queen Catherine of Medicis as an Italian trend. Made of fabric and whalebones, it soon becames the main underwear of elegant french ladies at the royal court. The basquine or vasquine was laced up on the front, while the gourgandine was laced on both sides. It's said that the queen prefered steel corsets covered with velvet. It was very criticized by the intellectuals and the doctors, especially for the damages it does on the body. The splints, especially, were condamned. These medical pieces of wood or metal were hurting flesh very badly. Hopefully, in the 19th century, corsets became more "livable". The lacing known as "the lazy lacing" was helping women to lace up their corsets without any help. In 1831, the Swiss Jean Werly settles in Bar-le-Duc and open a factory to developp his idea of a seamless corset, made with looms. But the process didn't make a great success and soon, corsets are only used for medical use, as my great-grandmother did.

"Corps"(bodies) set to luxury 
Leopolds Prockett on Deviantart
Nowadays, when googling "corset", your computer's screen would be soon invaded by millions of colourful corsets. How is it possible, in a world where the Sexual Revolution happened years ago ? What happened to the lessons of Coco Chanel, and to the feminists ? Why, in a world where technology and the raise of level of life improved our conception of comfort, women want to constrain themselves again ? Hourglass figures are not really an epitome of beauty anymore, now we are mostly celebrating those tall creepers of models, without breasts and hips. So, could the corset be a way to fight against these slim silhouettes ? A way for females with figures to show that they are still sexy ? I think so, especially when I see Christina Hendricks, especially famous for this, posing for New York Magazine in a white simple corset. Most of the women interested by this vintage underwear want to give an alternative to the mainstream vision. Plus, it gives a notion of luxury, of refinement to a wardrobe. It's not the classic underwear, it's something more sensual, even a bit daring. As a result, corset is often seen (and confused) in S.M. and brothels-related situations, two subversive sexualities that are slowly assimilated to fashion and modern lifestyle. Then, the object of conservatism becomes an object of provocation and even of liberation ... And according to designers Alida é Pierre, it's not even for women : men also are learning to wear it. So, corsets are not prudish or medical anymore, but a real accessory of fashion, an assert of an independant lifestyle or simply, a little pleasure we're offering to ourself.
Christina Hendricks for New York Magazine
 Muse of the designers
Jean-Paul Gaultier Campaign 2012
Since the end of the 20th century, corsets are back in the world of fashion, thanks to icons such as Madonna, Lady Gaga, or Rihanna ... The most famous and acclaimed designers have used them in their collections, in their usual shape or by embezzling them. I'm thinking to Alexander McQueen Spine Corset or to the corset belts ( see Bottega Veneta for example or Gucci ). Of course, the real afficionado of the famous underwear is French designer Jean-Paul Gaultier who uses it regularly ( one of the most famous pieces is the skeleton one wore by stripteaser Dita Von Teese at one of his show). Designers are inspired by history too. Karl Lagerfeld, for its Fendi Fall 2009's collection, created a corset of brown leather very similar to the sorquanie, while Alida é Pierre recreated the Catherine of Medicis' steel corset. Much more comfortable than what it seems !
But the classic corsets of fabric (and most often with lace) can be found at any range of prices, from luxury website Net-à-porter.com to more mainstream retailers, and in specialized designers' websites ( for example French La Corseterie or La Fée corsetée, and brands Bordelle and Agent Provocateur in the UK ). A world full of possibilities for those who want to be sexier for someone or just for themselves ...
I feel a bit less idiot on the subject now ( and I hope this article was useful for you too, who knows ?) but I don't think I could wear one. Corsets belts, however, are really aesthetic and bring a very chic touch to an outfit, even casual. So, if like me, you're a bit claustrophobic, it's the good idea.
Agent Provocateur on Net-a-porter.com


Alida é Pierre
I truly encourage you to visit the amazing website of Alida é Pierre : http://www.alidaepierre.fr (in French only, but pictures don't need a translator ).

Monday, May 23, 2011

Trend : Shanghai Ladies

Rita Hayworth and Orson Welles in The Lady from Shanghai (1947)
 The charms of the past would never stop seducing the Fashion world. Thanks to Joan Harris, the 60s silhouettes are back, with their curves and their vitally kitsch dresses, hairdos and stilettos. Since then, the image fashion guru's want for the 21st century's women is quite arguable. While some are thinking that androginity is the future for human being, many people are trying to reassert the right to an assumed feminity. For these women, the post WWII's wardrobe is what suits them the best. Actually, it is genuinely elegant, cute and feminine. But Past has got its negative points too, and we did a long way since then, especially in term of social and sexual progress. Living in our modern world with pencil skirts and corsets is only appealing in the paper ... So, we need to search another model for our thrist of classic feminity.
Gene Tierney in The Shanghai Gesture (1941)
 I don't know what Marc Jacob had in mind when he launched the Summer collection of Louis Vuitton, but he certainly has felt that the fashion's wind was now blowing from the east. But, fortunately, the trend avoided the trap of the geishas' aestheticism and rather chose a vision of the woman which was more free. On the bounce of the American designer, the fashion world is heading to a city which is, in our westerner's mind, a synonymous with exoticism, sensuality and luxury : Shanghai. But the Shanghai which inspires Industry this Fall is the Shanghai of the classic black and white movies of the 40s. Indeed, the aestheticism chosen is very old-world, nearly cliché, with a lot of red silk, dark floral patterns and jazzy influences.
Gene Tierney
 The muses I suggest are American actresses Rita Hayworth and Gene Tierney. They have both played in movies with Shanghai in the title, the first one in The Lady from Shanghai (the presence of the Chinese city here was just a way to add mystery to her character) and the second one in The Chinese Gesture. If you are familiar with this one, you would agree that, first, Gene should certainly have deserved more recognition, and secondly, that her costumes, created by her husband and famous American designer Oleg Cassini, were not particularly chinese ... So, why emphasizing them in an article on Shanghai's fashion ? Because they embody the spirit of this Fall Chinese's influence. It's totally out of the question to bring back the traditional Chinese dresses. Mainly because Industry is looking for Chinese buyers, who want novelty, but at the same time, something that would reassure them  ... So, what they want is to instill the preciosity and the discreet eroticism of Asia's biggest country into contemporary and western garments.
Saffron Knight AW2011 collection
 This way, they offer us exoticism within our reach and to Chinese buyers, a taste of classic Hollywood which would fit their own codes. Clever, isn't it ?
The new Shanghai ladies are Amazons, they are lounge's warriors, with an independence and an intelligence similar (if not superior) to men, with seduction as their secret weapon. They are both sensible, like Elsa in The Lady from Shanghai and Poppy in The Shanghai Gesture, but terribly unreachable and almost living godesses. Many designers and brands have already played with those codes in their Fall collection. The one of Jamaican-British designer Saffron Knight is particularly accomplished. Very far from her usual style, this collection marry tradition and a cheeky modernity with success. The Dragon-lady is not dead ...
Topshop header for its collection 'Shanghai'
 The Shanghai collection from Topshop is less convincing. It's more difficult to recognize the Chinese influences in the offered garments, which are sometimes more Japanese than Chinese ... Looks like geography and fashion are still not studied in the same schools ... But some pieces remain in the spirit we've talked about. And I guess that we will see more interesting stuff in the next months ...
My personal pick would be a dress from the Fall catalogue of French online retailer 3Suisses, which offers a sexy silk dress (avaible in Chinese-like print or trendy colours) for only 29,90 euros (which is £25,90 and almost $42). This dress is genuinely in the mood of those classic 40s movies, full of exoticism and of strong heroines. The perfect answer to the desperate housewives of last year. Plus, there is travel with your past ...
3Suisses dress 29,90 euros, avaible in many European and foreign countries
http://www.3suisses.fr
http://www.topshop.com
http://www.saffronknight.me.uk

Thursday, April 28, 2011

A girl, a style : Tank Girl

 These days, I'm a bit tired of the girls I see in the magazines and in the streets. They are all replicas of each others, with stripes, colours and vintage clothes. Conversely, some prefers a rock attitude, implying the addiction to some very trendy brands which have little to do with rock but with a clever marketing, such as The Kooples or Zadig&Voltaire. I didn't want to focus on one of those grunge trainee, and suddenly, I've thought about the comic's heroine, Tank Girl. This odd creature was created by Jamie Hewlett and Alan Martin at the end of the 80's. Set in a post-apocalyptic world, the comic focus on a nonconformist (it's the very least you can say...) tank pilot (hence her name, Tank Girl) whose adventures are mostly absurd, but hilarious. Now, Hewlett takes care of music band Gorillaz, and his punk heroine has quite fallen to oblivion. But her unique style still influence many indie girls, and could seriously kick the ass of all the punk-wanabees out there, starting with Taylor Momsen : Girl, dressing with black underwear is not original and cool as you suppose, so at least, put a mischievous smile on your drunkard head ...
Boots Nicolas Andreas Taralis £705 - Jean Eleven Paris 89euros - Sweater AllSaints £63
As a resident of an Australian desert, Tank Girl is not really keen on covering clothes, but she sometimes slips on tees and sweaters. If she would make some shopping, I'm sure she would fall for British designer Eudon Choi, whose designs seem to fit a post-apocalyptic world a la Luis Royo, another artist who could have a fresh influences on all those neo-punks. I also imagine that Tank Girl would not resist to the clothes of brands Obesity&Speed (they have an hilarious t-shirt with 70s former punk goddess Poly Styrene, and many other destroy garments), DimePiece (I'm in love with their collars, slightly less with their shipping costs) or French brand Eleven Paris, whose ambassadors are Lizzy Jagger, daughter of Mike, and Zoe Krawitz, daughter of Lenny, two potential Tank girls.
Charm Helen Ficalora $35 - Bra Urban Outfitter 24euros - Belt Boy London $8 on Ebay - Short Bitching&Junkfood 72euros - Boots AllSaints £185 - Watch La Mer Collections $198
But, most of the times, Tank Girl is hanging out with crosses taped on her boobs, or if she wants to be a bit classier, in some dark bras. She howled with laughter when she saw Katy Perry's video California Gurls, because, obviously, rockets bras are outweighing chantilly cream bottles ones ... For the bottom, she would certainly fancy a legging by Aguri Sagimori, but her preference would mostly head for a destroyed jean short, such as those of Evil Twin. Also, she is a bit fetishistic when it comes to crosses, and jewels in general. She has got a lot of them, badges, bangles, rosaries, and she would certainly love the cuffes and belts of Givenchy by Riccardo Tischi and the bullets pendants of Akillis. And if she wanted to be a bit sexy for her boyfriend Booga, she could puts fake suspenders panty hoses by Henry Holland.
Ellery Fall 2011
A tank is definitely classier than a motorbike, but if you would like to channel your inner Rebecca Buck (her real name) in a colder country, you would adopt the brand Ellery, which made a very appealing campaign for its Fall collection. A bit too aristocratic for Tank Girl though, but she would steal the  belts for sure. She would also kidnap Britney Spears and forces her to give her the Burberry Prorsum jacket she's wearing in her latest video, Liv Tyler, for her Givenchy dog sweater and obviously Kate Lanphear, for her integral wardrobe. I guess she would also appreciate the editor's do. Singer Cassie and Brit It girl Alice Dellal have also tried the Tank Girl's hairdo, in a more feminine version. Alice, incidentally, would be a recommended cast for the role of Tank Girl in a movie (one which doesn't suck, as the previous attempts did), much more than Ellen Page, as some geeks have suggested.
Alice Dellal
Courtney Love and Kate Moss have their adepts, so why not Tank Girl ? At least, her attitude is much more real and funky than all those IT girls who think that wearing a dark tee at the last MTV Push Party with CK One would make you a rock star. Neither does a Schott jacket, even a great red one. First, it is in the head. In the freedom of your thought. That's why a look at the Tank Girl's comic could not kill you (remastered edition from £6,48 at Amazon.co.uk). Alcohol and drugs could, however, so remember that you're not a comic heroine.

http://www.obesityandspeed.com
http://www.elevenparis.com
http://dimepiecedesigns.com
http://www.allsaints.com
http://www.urbanoutfitters.com
http://www.elleryland.com
http://www.layerslondon.com
http://www.shopbop.com

Thursday, February 24, 2011

Decoding : Fashion, the Tenth Art ?

The execution of Lady Grey by Delaroche (detail)
 Two days ago, I've had a strange encounter at London Fashion Week during the Giles' show, at the Royal Court of Justice. No, it wasn't Pixie Geldof, but a certain Lady Grey. Is she a close relative to Lady Gaga ? Not at all, Jane Grey was a 16th century English noblewoman who was queen during nine days before her execution for high treason. This woman is mainly famous for a painting of the said execution, by French painter Paul Delaroche. As you suspect, I don't have medium's skills, so, when I talk of encounter, I describe my surprise to see the face of Miss Grey on several outfits of designer Giles Deacon. For me, it was especially relevant to find the detail of a famous painting used as the main pattern of a fashion collection, and I was quite amazed that no one thought about it before.
Giles Fall 2011 ( Style.com )
 Fashion, after all, is just an art like another. Critics accuse Haute Couture of being "Art for Art", that is to say something unwearable, pricey and totally useless. Designers such as Gareth Pugh are forced to defend themselves against that accusation, and to prove that their creations are made for stores and not for galleries . But I don't fit into that scheme. I particularly agree with Vanessa Paradis when she declares that she goes to fashion shows as she would go to real shows, i.e. theatre, dance or another performance. I don't mind if a dress is wearable or not, affordable or not, if it is gorgeous and aesthetic, I consider that it equals a painting or a sculpture. I was maybe influenced by the Parnassian poets during my teenage years, but I proclaim the right to "l'Art pour l'Art" !
Alexander McQueen "Savage beauty" exhibition ( photo Sølve Sundsbø )
 It seems that I am not alone in this process. Museums are opening their doors to designers, launching exhibitions for them as they would do it for masters of paintings, sculpture and photography. This Spring, the Metropolitan Museum of New York will host an exhibition devoted to Alexander McQueen at its Costume Institute. In London, the Victoria & Albert Museum will take a special interest in designer Yohji Yamamoto in March, and in Paris, the Museum of Quai Branly shows the close relationship between East and Christian Lacroix. Long past, fashion photography has been considered as artistic. It is not surprising then that the clothes themselves would enter in the spheres of Fine Arts. To when the creation of Fashion gelleries ? It is nearly here : some brands have already launched short-lived concept stores, mixing clothes with contemporary exhibitions ...
Sergio Rossi "Idol" bodice
 The dialogue between art and fashion started with the artists themselves. Painter Dalì influenced designer Elsa Schiaparelli, but he was a designer himself : he created jewels, and many other artists did the same ( Cesar, Picasso and Arman to name few ). The March issue of Vogue Paris incidentally pays a tribute to the famous artist and finds its inspiration in surrealism.
Not surprising then that jewellers and designers would venture in the world of sculpture : I have already told you about Jordan Askill, but the Fashion Week also reavealed Erickson Beaman, and brand Sergio Rossi launched a surprising line of accessories, close to classic Greek sculpture.
Elle Fanning in a video for Rodarte
Then, Contemporary Art starts to blend in with Fashion : when art performer Olympia Scarry wants to create an art statement at Art Basel, she chooses to appear in a burqua at Playboy's party. But not an ordinary burqua : this one was a piece of black lace and silk custom-tailored by Riccardo Tisci himself ... The designer, at the head of the Givenchy House of Couture, has already expressed his will to send fashion back into the world of luxury and, inevitably, of Art.
Indeed, each Art can easily flirt with Fashion : you can see my article on Architecture and the Lourenços, many singers are moving Music closer to Couture, Comics are often seen in t-shirts, and Dance is in the spotlight since the success of Black Swan ( with costumes by Rodarte ). The 7th art is not forgotten : talking of Rodarte, we have spotted actress Elle Fanning in their last video, a genre which grows faster in the Industry, with Tom Ford distinguishing himself in the cinema. From here, we can imagine more meetings with poetry, literature, gastronomy, television and more ... Imagination has no limit, and so is Art. So, let's create !

Monday, January 17, 2011

Tribute : Once O'punk a Time

Vivienne Westwood
 You've asked for more History articles, you will have more. Some would say that punks are not History, but I consider History everything that influences our present society, and it is strongly the case with the punk movement. Now, a punk is basically ( in the mind of most people ) a person who is wearing a dyed mohawk or is clad in black. Time to destroy these popular clichés. Don't try to make me believe that Jared Leto and Taylor Momsen are punks ... Being punk has little to do with mercantile attention seekers. Of course, there is no law and no thruth about being punk, but there are always douchebags to pretend the contrary.
The word punk is a very old one : Shakespeare used it to describe prostitutes, and in 20th century it was mainly used in prisons, some says as a very offensive term. In the late 60s, the word has been placed side by side with rock to describe a different type of garage rock. It was then detached again, by the music magazine "Punk". And everything begun.
David Bowie - Joe Strummer - British TV presenter Bill Grundy - Johnny Rotten - Malcolm McLaren - Smutty of the Rockats - Andy Warhol - Sid Vicious - Vivienne Westwood - background Kings Road with Sex ( seditionaries.com )
 Contrary to another popular belief, the Punk movement begun in the United States, in the beginning of the 70s. Artist Andy Warhol was gathering many trendy newyorkers in his Factory, where was born a community of free-thinkers, artists and musicians of a new kind. Among them were Patti Smith, the Velvet Underground, Television, The Ramones, The New York Dolls, Debbie Harry and Blondie, Iggy Pop and The Stooges, all performing at the famous club CBGB. Fashion, at the time, was inspired by the Mods, rockers who dressed with bikers' clothes and wore mullets. Soon, the band The New York Dolls, and his singer Johnny Thunders, developped a different way to dress, with girl clothes worn by men. The show "Pork", created by Andy Warhol, had also an huge impact on the world of entertainment, especially on one special artist : David Bowie. The British singer came back to his country with a brand new style inspired by what he saw in New York. His character of Ziggy Stardust launched the Glam movement, but also influenced many teenagers. But he was not the only one to have been amazed by this new trend, coming from the other side of the Atlantic.
In 1972, a British couple decided to open a shop on Kings Road, to sell clothes inspired by the early punks : Malcolm McLaren and Vivienne Westwood. The shop, called "Let it Rock", became a real success and soon evolved in a new concept, called "Sex" in 1974. The same year, in the same shop, McLaren created his own punk band, the famous Sex Pistols. The band, composed of singer Johnny Rotten, guitarist Steve Jones, drummer Paul Cook and bassist Glen Matlock, was not exactly a professional band. Most of them were beginners, and they clearly didn't give a damn about the whole thing, but they soon catched up the eyes of the public. The 1st December 1976, the band and some of his fans appeared on the Today Show, hosted by Bill Grundy. The TV show was broadcasted live and everyone on the set was drunk, including Grundy himself. It was seen by a lot of people around the country and the behaviour of the punks shocked them a lot, especially for their several use of five letter words ... It would be quite banal now, but at the time, it was really outrageous and it seriously launched the career of the Sex Pistols.
The punks were invading UK. The fans soon became rockers too, and most of the main bands of the Music History were created then : The Clash, Siouxsie and the Banshees, The Cure ( which later created the Gothic movement ), Generation X, The Buzzcocks, The Cramps, The Damned, ... and later, Joy Division. London became the center of the punk world, and even the early actors of New York settled in the capital of England. But too much provocation and chaos soon led the punks to decline. Sid Vicious replaced Matlock in the Sex Pistols and he drove the band to its end, with the blessings of McLaren, who was counting on the junkie's provocations for his marketing. Some says McLaren was a genius, but I'd rather think he was an opportunist. Nothing new !
The Sex Pistols went to USA, they clashed. Sid killed his girlfriend Nancy, died of an overdose of heroin and the Punk died of an overdose of trash. Born in the USA, died in the USA, it sounded natural. Broken in many different pieces, the movement evolved : the 80s saw the rise of the gothics, Johnny Rotten helped the expansion of the reggae, Joy Division represented the post-punk hope and open the way to the alternative rock, and The Exploited created the wave of the "crest punks", those rockers with enormous mohawks. "Punk's not dead" was their main slogan, but Punk as it used to be was definitely part of the past.
Gaye Advert - Cherry Vanilla - Siouxsie Sioux - Debbie Juvenile - Nancy Spungen - Debby Harry - Nina Hagen - Sue Catwoman - made by Sam Tyler, background Mirror article on the Sex Pistols
 But if Punk had an huge impact on Music, it also had the same effect on lifestyle and fashion. The Punk movement was a liberation for the young people of the world, tired of a restricted life, and inspired by the Hippy movement and French 1968's revolution. The women saw an opportunity to show that they can be something else than just perfect housewives, and so, many of them left their marks on the movement. These icons were mainly from the Bromley Contingent, a group of friends coming from the borough of Bromley in London. Among them were Siouxsie Sioux, but also Jordan, the famous clerck of shop Sex, Debbie Juvenile, Linda Ashby, a dominatrix whose flat in St James became the HQ of the punks, Tracie O'Keefe, Sharon, ... The Pistols followers were mainly art students from St Martin's. They saw in the Punk movement a new way to express their passion, and also to live it up. Drugs and sex were their main interests, sometimes far behind music and fashion. It was the case for unfamous Nancy Spungen, Vicious' girlfriend, who was just a degenerate. But, fortunately, all the punk girls were not that empty, and some of them have had a great impact on modern girls, thanks to their independance and their style.
Bondage Suit by Sex - Sweater by Seditionaries - Top by Vivienne Westwood - Outfit by Let it Rock - Bondage boots by Seditionaries - Shirt by Sex - Shop sign of Sex - Self made badge
 Of course, fashion is one important point of the punks, and this is mainly a fashion blog, so I'm going to develop it more. As most of punks were artists, students and generally coming from a modest background, their clothes were often handmade. They launched the "Do It Yourself" movement. The shirts were customized with patches, safety pins, badges, prints and other accessories such as chains and armbands, modeled after the Punk itself, which was described by John Savage as pre-existing youth cultures stuck together with safety pins.
 Punks main idea was to provocate the right-thinking society so they stole a lot to the skinheads and the sadomasochists. Indeed, most of the t-shirts bore swastikas, anti-catholic slogans and sexual contents. They were not racist at all, just little idiots who thought they were funny using such outrageous symbols. They didn't care about politics, but they were rebelling against English government. Anarchy was an extreme point of view, so they adopted it and sprinkled some designs of the anarchist "A" on their clothes, as well as pictures of Karl Marx and of the Queen ( see the famous Pistols "God save the Queen" ). Quite an odd mix, but as long as it looked outrageous, it was considered as great.
Bondage was also something important in the punks' attires. Their taste for leather and rubberwear was borrowed to the SM and homosexual communities, which they helped a lot. Bondage was the only thing dark in the punk fashion, which was more colourful than believed. Sid Vicious was the only one at the beginning to wear leather jackets and jeans, as the punks main clothes were surprisingly ... sweaters. It's true ! A look at contemporary pictures will convince you : striped, multicouloured and often destroyed, the sweater is everywhere. The women wore ripped leggings. Tartan, ties, tape and garbage bags were at the programme too ...
Most of the punks' clothes were made by themselves, but Vivienne Westwood soon revealed her talents of designer and she created most of the clothes of her shops "Let it Rock", "Sex" and later "Seditionaries". Other shops were opened on Kings Road but were less famous, and sometimes more considered as tourists' shops. Let's quote Acne and Boys, of stylist Helen Robinson.
No mohawk for the early punks : Sue Catwoman was the only one with a weird hairdo, Linda Ashby was skinhead and Sid has got spiky hairs, but most of the time it was short for men and long for women, sometimes dyed, always dirty. Extreme make-up and body art, even for men, was common, the trends of piercings and tattoos mainly started in the 80s.
Agyness Deyn - "Punk" by Tim Flash - Kate Moss in Isabel Marant - Danielle Scutt AW 2010 - Nana - Dimepiece Bondage t-shirt - Rooney Mara as Lisbeth Salander for W Magazine
And now, what the punk's heritage ? Vivienne Westwood is one of the most famous designers in the Industry. Other designers were inspired by punks : Jean-Paul Gaultier for example, or Danielle Scutt to name a few. T-shirts reminding of those of "Sex" have spread, such as the "Bondage Boy" t-shirt of brand Dimepiece. And the sweaters ! Those of Isabel Marant look like the exact replicas of those of Siouxsie or Johnny Rotten ... Kate Moss, the face of the brand and godmother of sons of Clash member Paul Simonon, one of the most famous punk bands, is a modern punk girl, and when in couple with rocker Pete Doherty, they were said to look a lot like Sid and Nancy. Hopefully, Kate didn't end like her lookalike ... Punks are also often saw in fashion photography and in fictions, such as in the Japanese manga Nana, where the heroine wears Vivienne Westwood clothes and the hero looks like Sid Vicious. The character of Lisbeth Salander, created by author Stieg Larsson has got a punk look too.
Punk came back in trends at the beginning of the 21th century. Before, the only admirers of the movement were people who lived it or some old fashioned teenagers who prefered old rock to hip hop and techno. I was among those kids, and even if my punk years are far behind me, I have to admit that they still influence my sense of fashion and of arts. "Once a punk, always a punk" I guess ... We all belong to the Blank Generation now.

Thursday, November 11, 2010

Tribute : Remembrance Day

 Today, 11th of November, Internet is covering itself with red. The British poppy is everywhere, even on Cheryl Cole. It is an evidence of the influence of Remembrance Day in the modern Britain. Some fashionistas even appropriate the poppy and used it as a complete fashion statement. Accross the Channel, the symbol of the 11th is a cornflower. Did you ever see it ? There's a little one on the page of Google France, because the Anglo-saxons of Google thought that French people would have the same tradition. Nay, nay and thrice Nay. My people forgot its history, forgot the men who fought for their country to build a better future for their children. For us. So, I have decided to put a cornflower on my blog, along the poppies that are the symbol of my new homeland.
Luella

Katherine Jenkins

Cheryl Cole

N'oublions jamais !

Monday, October 4, 2010

Tribute : Fashion Illustration, the Lost and Found Art


Cédric Rivrain
  Life is full of coincidences. While I was looking for material for my article on illustration, I realized that my last follower was incidentally one ! His name is David McGrievey ( http://www.davidmcgrieveyillustration.com/ ) and his old-fashioned drawings have illustrated W, Glamour, Spanish Vogue and Bloomingdale. Oh my, that's a follower I'm proud to have. I am always very humble in front of illustrators, because drawing is an art I adore, I would love to master. That's why I wanted to make an article on this under-appreciated genre.
Once upon a time, when cameras didn't exist, magazines used illustrators to recreate trendy outfits for their readers. I was the time of elegant silhouettes, Grace Kelly, Audrey Hepburn, Jacqueline Kennedy, and other "black and white" icons.
David Downton - Lauralaine
 During these hours of glory, the great names were Rene Gruau, most famous for the adds of Miss Dior perfume and Rouge Baiser lipstick, Joe Eula, Yves Saint Laurent's illustrator, Tony Viramonte, Antonio Lopez, a regular of Vogue, Elle and Harper's Bazzar, and the famous Jacqueline Bissett. But, with the development of technicity, photography became almighty, and the illustrations were relegated to the horoscope pages or to art classes teens. But, now, Fashion tries to find itself, and is experimenting through art. In spite of digital art, fashion illustration insinuates itself back into the pages of the magazines.
ëlodie
 The new generation is torn between old-world aesthetics and modern lines. David Downton ( http://www.daviddownton.com/fashion.html ) prefered 50s women, with their hats and tiny waists.
Others are mixing academic drawing with modern designs, such as Frenchies Cédric Rivrain ( http://www.cedricrivrain.com/ ), inspired by models such as Kate Moss, Monsieur Qui ( http://www.myspace.com/monsieurqui ), who invade streets with melancholic beauties, or ëlodie ( http://www.elodie-illustrations.net/ ) and her gorgeous women.
Monsieur Qui
 But, illustration can overtake photography by its power to show what eyes can't see, and only imagination can. So, they are numerous to follow the path of contemporary art, and to offer us silhouettes that comes from the universe of dream and fantasy. My favourite among us is definitely Finnish artist Lauralaine ( http://www.lauralaine.net/ ) and her tiny feet/big hair figures, which are closer to poetry than anything. She took magazines by storm, and I hope to see more of her art in the future.
Petra Dufkova
In order to continue this travel in the world of beauty at the point of a pencil, I suggest you to look at :
- Book 100 Years of Fashion Illustration, Cally Blackman
- Nina Borowski's article http://nina-borowski.livejournal.com/558.html
- Illustrator Sophie Griotto's website http://www.sophiegriotto.com/
- Illustrator Petra Dufkova's artwork http://www.illustrationweb.com/illustrators/home_large.asp?artist_id=3348
- Illustrator Akari Inoguchi's gallery http://www.akariinoguchi.com/
- Illustrator Cécile Mancion's blog http://www.cecilemancion.com/blog/
- The Fashion Week Illustrée, French website http://www.fashionweekillustree.fr/
- http://www.fashionillustrationgallery.com/
- http://www.antoinettefleur.fr/
- http://www.erlikh.com/

Tuesday, September 21, 2010

Tribute : If it's Greek, it's Chic



A soft heat is coming from the ground. Far off, the silhouette of a woman is walking toward us on the country road, lined with ancient olive trees. She is now closer, and you can admire her extreamely gracious outfit. A silk tunic, almost diaphaneous, is emphazing her body, hooked-up at the shoulders and tightenned at the waist by a braided leather belt. The cloth is floating around her, waved by the breeze, creating the illusion of a slow dance.
This woman is not a model, nor a contemporary woman : she is a vision from Ancient Greece, the cradle of our civilization and of our fashion.
Ancient Greece’s women were already extremely found of fashion, and adored luxuous accessories to the point that their husbands, annoyed of buying them more and more expensive clothes, adopted a law, giving some magistrates the right to supervise the sumptuousness of their wifes’ toilettes !
And yet, Grecian women didn’t have much choice. Their outfits were always constituted of the same pieces.
First, the chiton, a sort of overall, fastened at the shoulders and the waist. It was usually white and really thin, nearly transparent. Then, they added the tunic, a long dress of plain colour with a strip of crimson. The himation, a shawl, or the peplos, a sort of coat, protected her from the cold, while the calyptra, a transparent veil, hid her from the sun and the looks.
And that’s was all. The only variety came from the way women draped themselves into the large cloths, which changed according to their cities or their vanity. The colors were also important : a woman with a multicoloured tunic and a golden belt was certainly a courtesan, and despised by honorable women, who prefered white colour. Younger women loved crimson, saffron or olive green tunics. The clothes were also adorned with embroderies, famous for their geometrical friezes.
Yet, a wind of modernity already blew in the ancient fashion. Spartan women invented the mini dress, while Minoan women, found of tiny waists, invented the corset.
But, almost everything, the accessories were women’s real pleasure. They always carried fans ans sunshades while walking in the streets, and even if they often went barefooted, they were the Carrie Bradshaw of the History. Indeed, they were obsessed by shoes : ankle-boots or leather sandals, every model was unique, dyed in black, red, yellow or white, and often decorated with glass pearls and pieces of metal. No suprising then, that the Spartan shoes made their comeback last year in our wardrobes.
Gold also fascinated them, and they wore enormous jewels, which would made Miranda Priestly grow pale : earrings, brooches, cameos, bangles, necklaces and tiaras, all with complex patters and fine details.
Their heads were bare, except for the Minoans, who wore a sort of conic hat, and the hair was extreamely elaborated, with headbands, numerous braids, hairpins with precious stones, hainets, curls and even wings as dyeing didn’t exist at the time. Amy Winehouse’s hairdo ? Deja-vu !
Another very important thing was the make-up. Inspired by the Middle East, Grecian women used a lot of foundation cream to lighten their skin, and often had white faces. To compensate for this paleness, they used blush on their cheeks and bold lines of khol on their eyes, which gave them a magnetic look that fascinated the artists. Though, they never used lipstick; red lips were reserved to the prostitutes and to the actors, who were playing female roles, and often mocking them. Women were forbidden of acting, but they practiced a lot of dancing and singing, and particulary take care over their appearance in these occasions.
All this almost sounds modern, doesn’t it ?
It is because Ancient Greeks have always been our models, and what we have learnt of their civilization, through their texts and their sculptures, especially the ones called Tanagras, have strongly influenced us and still are. For example, actress Rose Byrne wore a Grecian-style Gucci dress on the Emmys 2010’s red carpet : a timeless elegance.
We are, and we always will be obsessed by our appearance. And thanks to Aphrodite, goddess of the beauty, we don’t have magistrates who prevent us to have splendid outfits anymore !

Wednesday, August 25, 2010

Tribute : The Legacy of Alexander McQueen


I have to admitt I wasn't a fan of Alexander McQueen during his living, and that I was sceptical about the demonstration of love that everyone showed after his death. But then, I came accross his last creation, the Fall Winter Collection of 2010. And then, I started to understand.
Jewels, pure jewels. Dresses like the costume designers of TV serie The Tudors would dream about.

Amazing details, fabrics, embroderies and colours.
This last collection is the archetypal illustration of what Haute couture is. The inspirations are more classical than his previous collection. Here, you find Persian prints, Grecian drapé, Renaissance's splendour and imperial luxury.

Watching this gorgeous profusion of details and obviously huge work, I think to myself that it never have been that good to feel wrong. Those dresses are made for a museum of Fine Arts, not for a living woman. The pattern of the feather repeats itself in every model, and you would think this is a collection made for angels. It is even decadent, as it seems too luxurious for our world, like the last collection of Givenchy.

The only decent place where these dresses could be worn is an historical movie. Perhaps we need to think Fashion again. Is it a race toward the Absolute clothes, where the woman is just a way to show them, or is the real purpose a way to emphasize the woman ? For me, clothes must be a bit more discreet, to reveal women's true beauty.

So, to my mind, collections like McQueen's are Art, not Fashion and belong to our History, not to Premieres of movies or parties. And I think it is what Alexander McQueen wanted to give us, as an heritage : something to think about the price of our life, and what is important. We will never be happy because we are wearing a dress that cost a monstruous price and because it is from that designer that is so trendy. Happiness is in our capacity of believing in the beauty. In our own beauty.
Models : Fakeshake3
Jeremyn2005
Bluegreen86
Babettecouture

Monday, July 26, 2010

Tribute : a Dream of French Royalty

It is 10 o'clock and I am absolutely alone in the garden of the French castle of Vaux le Vicomte, near Paris. It is already hot, but the peace of the place brings me a unique sensation of freedom.
As I walk along the statues, the geometrical bushes and the fountains, I try to imagine Kirsten Dunst and Sophia Coppola filming Marie Antoinette in the very same alleys.
Tonight, the castle will be illuminated by thousands of candles to recreate the fantastic atmosphere of the most gigantic party ever made for the King of France Louis XIV, in August 1661. According to History, it is after this party that the King, jealous of the splendor of Vaux le Vicomte, asked his men to arrest its owner.

Then, it has been a place of holidays and parties for the most elegant people of the world, from 18th century actress Adrienne Lecouvreur to American actress Eva Longoria, who got married there.
While visiting the luxurious appartments, I can easily imagine the rustling of the petticoats and the dresses of some ladies, rushing toward a dinner or a game.


These women, with their obsession for their outfits and details, started what we now know under the term of fashion.
The present French House of Haute Couture are all inspired by the attires of Marie Antoinette, Madame de Montespan or Diane de Poitiers : the details of their dresses can be found in the last collection of Givenchy and they would love to put some Louboutin on their feet ! Their taste for fashion became more democratic with the centuries, and still influences designers and women.

Some of the most brilliant French Haute Couture brands that keep the inheritance of the King of France's court :
Alexis Mabille ( last picture shows a dress from his Fall/Winter 2010-2011 collection )
André Courrèges
Balenciaga
Balmain
Chanel ( second picture shows a dress from its Fall/Winter 2010-2011 collection )
Chloé
Christian Lacroix
Dior ( first picture shows a dress inspired from a vintage Dior Couture dress )
Emanuel Ungaro ( third picture shows a dress inspired from a dress of his Spring/Summer 2010 collection )
Givenchy ( fourth picture shows a dress from its Fall/Winter 2010-2011 collection )
Guy Laroche
Hermès
Hervé Léger
Jean-Charles de Castelbajac
Jean-Paul Gaultier
Louis Vuitton
Max Azria
Nina Ricci
Sonia Rykiel
Thierry Mugler
Yves Saint Laurent